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Lady Gaga focuses so much on tics and facial expressions and her Slavic accent that there’s no soul, genuineness or vulnerability to the character.
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Scott & Co., on the other hand, make arrogant assumptions while we sit on our phones and make other plans. On TV, Ryan Murphy did a splendid job of explaining Versace and Halston’s spots in the fashion firmament and why Liza Minnelli in a red dress mattered. The movie, which feels longer than “The Ten Commandments,” never clearly expresses why we should care a lick about the machinations of some quirky Italians and their expensive loafers. The problems of “Gucci” are greater than the acting, though. Lady Gaga as Patrizia Reggiani and Vincent Riotta as Fernando Reggiani. Her scenes could be funny, weird or disturbing. ©MGM/Courtesy Everett CollectionĪl Pacino is fine as Aldo Gucci, Paolo’s pop who opened the first New York store, only his material isn’t as juicy as Jimmy Hoffa in “The Irishman.”Īnd Salma Hayek gets spacey for Pina, the psychic who conspired with Patrizia to off her hubby. An unrecognizable Jared Leto plays Paolo Gucci. Leto replies, “Does an elephant s–t in the jungle?” He might as well have said, “It’s-a me, Mario!” because his performance is a stereotypical joke. When he approaches Gucci patriarch Rodolfo (Jeremy Irons) with his crummy drawings, the older gent says, “You have ideas?” Jared Leto does his usual disguise act as Paolo Gucci, a balding and clownish cousin with big designer aspirations and little talent.
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The movie starts around 1978 and ends in 1998, but vampiric Gaga and Driver never age or perceptibly change over two decades. They get married and she goes from wide-eyed and innocent to a savvy businesswoman with a thirst for power. Gaga plays Patrizia, a girl of modest means who meets rich Gucci heir Maurizio (Adam Driver, also Russian) at a party and begins dating him. Really it’s a hodgepodge of wacko performances and disparate tones that “Project Runway” guru Tim Gunn would call “a lot of look.” The movie starts around 1978 and ends in 1998, but vampiric Gaga never ages.
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Well, that’s what Scott and screenwriters Becky Johnston and Roberto Bentivegna imagine it to be. The preceding two-and-a-half hours are a glacial yet completely uninformative history of the luxe brand framed as a “Succession”-like struggle for power among the Gucci family. Mystifyingly, the front-page killing and ensuing court battle only take up the last 10 minutes of this sleep aid. The abysmal “Gucci” would get a better grade, perhaps, if it were a term paper titled “How to Make the Assassination of a Famous Person Boring.” Lady Gaga plays the role of Patrizia Reggiani in “House of Gucci.” ©MGM/Courtesy Everett Collection She’s as authentic as the rest of Ridley Scott’s puffed-up, ponderous drama, whose quest for Oscar glory officially ends today. Does Lady Gaga’s accent in the new film “House of Gucci” sound remotely Italian?Īs Patrizia Reggiani, the crazed woman who had her fashion mogul husband Maurizio Gucci killed in 1995, Mother Monster comes off as Russian as Boris and Natasha, Mikhail Gorbachev and a cold bowl of borscht. Rated R (language, some sexual content, and brief nudity and violence). Still, whilst it tends to be remembered in voyeuristic terms, Castaway is a compelling and intelligent drama chronicling the ecstatic highs and crippling lows of two virtual strangers who have opted to leave civilization behind, if only for a short time - and after a while, the viewer almost ceases to notice the nudity, so in tune does it seem with the natural surroundings.Īnyway, lest Castaway be accused of being nothing but eye candy, let's not forget the 48-year old Oliver Reed spends almost all his screentime naked as well.Running time: 157 minutes. On arrival, the first thing she does is take off all her clothes and put the kettle on for a cup of tea. The 1986 film from director Nicolas Roeg, based on real life events, cast a 24-year old Donohoe as a woman who responds to a personal ad from writer Oliver Reed, seeking a companion for a year's stay on a remote tropical island. No, this isn't some new director's cut of the Tom Hanks movie that somehow escaped your attention.